Wednesday, December 26, 2007


After watching Earth I remembered last year's headlines about the inaugural Lahore-Amritsar bus that in January 2006 re-linked for the first time the Punjab region which was divided into Eastern/Indian Punjab and Western/Pakistan Punjab during India's partion 60 years ago. http://news.bbc.co.uk/2/hi/south_asia/4630726.stm

Tuesday, December 25, 2007

C.J.S Wallia's Review of Earth

Unfortunately C.J.S. Wallia’s review for IndiaStar was the only review I could link to.
The author perceived the film as weak, with undeveloped characters and historically inaccurate. Leaving aside the accusation that Earth “distorts the historical role of the Sikhs” during India’s partition (an opinion that I can neither accept or dispute as I don’t know enough about the Sikhs), I do feel that the characters were purposely shallow and somewhat superficial.
As Wallia writes, the film tells the story of the 1947 events from the perspective of Lenny, the young girl better known as Lenny Baby in the movie. Lenny's family are well-to-do Parsees who keep up the Parsee tradition of remaining neutral or, as Lenny’s mother describes, invisible. Until the tragedy hits their home, the family cloaks itself oblivion. Through her ayah (nanny) Shanta, Lenny becomes confronted with what is happening as India enters independence and is seemingly arbitrarily divided by Britain into Pakistan and India. As Hasan describes, the large religious groups in India – Hindus, Muslims and Sikhs – have lived together for centuries like “brothers”, sharing their language, food and enemies. But on the eve of independence and Indian partition, Hindus, Muslims and Sikhs are beginning to keep to themselves and are trying to find blame with each other for the new developments.
From the view of an eight-year old Parsee girls and her family, who desperately try to stay neutral and distance themselves from the events, the Muslims and Sikhs that form Shanta’s clique are feverish, simple and stereotypical. The family simply would not know enough about the Sikh Sher Singh, the Muslim Ice-Candy Man Dil Navaz and the Hindu masseur Hasan to see these characters in their complexity. Thus during the few times when Lenny accompanies Shanta to the group’s gatherings, the characters are trimmed down to religious stereotypes: warrior Sikhs (“bloody nuisances)and religiously righteous Muslims (“we’ll put the fear of God up your Hindu trousers”). Solely Hasan, a Hindu who is progressive, diplomatic and tolerant much like Lenny's family, is seen as more complex.
Overall, I did not feel that it was the film's purpose to teach the viewer history of India's independence and partition, rather the film wants the viewer to look inside and see how far she/he would be willing to stay neutral and apolitical. I think that's question we all should ask ourselves today.

Friday, December 21, 2007

Rebuilding Albania






Link to 2001 BBC article on Albania:
Amazing what can be achieved in ten years! The description of the early 1990s Albania in this article reflects many scenes of L'America! Another interesting bit: Albania is one of the few countries that enthusiastically welcomed and cheered George W. Bush during his Summer 2007 European tour!

Thursday, December 20, 2007

After my dad's death two years ago, my siblings and I found a box of long forgotten 8 mm films. We set up the old projector and screen and for a few hours relived highlights of summer vacations. My dad, a quite unsentimental intellectual, had perfected a filming method that he repeated over and over again: Line up the family in front of a historic land mark and then capture everyone walking and waving towards the camera. In doing so he captured much that no longer exists or has been forgotten: the Berlin Wall, the empty streets of East Berlin, the burned out Reichstag, border crossings into Belgium, the (then) Yugoslavia coast... The films were a bit repetitive but it was fun to see ourselves grow in front of my dad's camera and to reminisce changes in our family and in Europe. I think watching some of the films for this class, especially those set in the Balkans, will trigger other forgotten events.